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I do not know how music lovers in the south of Ireland are going to find €20 by November 11th, in these recessionary times, but find it somehow they must.
After what can only be described as a sensational 10 night run in The Helix Theatre in Dublin last September, the cast of NYMT‘s Spring Awakening are now headed down ‘the Waterford way’.
This unbelievably talented cast which, I am happy to relate, include top Tipperary performers Chris Britton, Ed Leamy and Shane Willoughby, latter playing the role of ‘Georg‘, are preparing to take this incredible show to the Waterford International Festival of Light Opera 2010.
The Most Exciting Piece Of Musical Theatre Ever To Be Staged In Ireland
Spring Awakening, which tells the story of teenagers who are discovering for the first time the inner and outer tumult of their sexuality, will take to the stage of the Theatre Royal on Thursday November 11th.
If you missed it the first time around, you now really have no excuse not to attend. This is a one night only event, so climb in through an open theatre window, dig an underground tunnel, get a Leader grant, distract the doormen or maybe simply buy a ticket. Miss this show and you’ll miss out on one of the most original and exciting pieces of musical theatre ever to take to the stage here in Ireland.
Remember the Waterford International Festival of Light Opera is regarded on the Irish theatre scene as the “Mother of All Festivals” and is the premier event of its kind presently in Ireland. Congrats to all concerned, on your celebrating your 50th anniversary.
Expect a large contingent in attendance from the Premier County and remember we expect tea during the interval.
Tickets are available from the Theatre Royal website and you can book your seat by clicking HERE .
By the way Anne Marie, I’m deathly serious about the tea, – one sugar and a small drop of milk for me.
Music promoter Louis Walsh has claimed an Irish contestant could win ‘The X Factor’ reality show this year. Indeed the most talented star of the show on Saturday’s programme was, without question, fifty year old Tesco worker Mary Byrne. Byrne who had wowed Simon Cowell and company at her try out in Dublin’s new Conference Centre last June by singing Welsh born Dame Shirley Bassey‘s classic ‘I Who Have Nothing ‘, convinced the world she had indeed everything, the confidence, the talent and most of all the ability to really entertain an audience.
Of course avarice again raises its ugly head with producers of the X Factor being criticised for giving too much prominence to Tesco, which has employed Mary Byrne at their Ballyfermot store for the past 11 years. She remains a Tesco employee but is currently on leave while the show is being broadcast.
According to the Daily Mail newspaper, rival retailers have raised concerns over the number of references given to Tesco during segments featuring the talented singer.
Tesco have admitted sending emails to 300,000 staff reminding them of Byrne’s appearances on the show. The row comes after Tesco this year secured an exclusive deal to sell the new X Factor magazine at 2,400 UK stores.
The Tesco till operator has impressed her audience enough for bookmaker Paddy Power to make her their 6/1 favourite to win and staff here at Tesco in Thurles admit to all being very excited and fully behind her.
Our advice to all those rival retailers “Concentrate on your own businesses and get a life,” and to Mary demonstrate to all the true meaning of “Talented Celebrity”, God knows we have enough of the other sort currently parading themselves on our television screens presently.
Looks like Tesco will be short one till operator for same time.
‘The Premier Rap’
Lyrics by Tipperary band “Johnny B & The Boogie Men”
From Cahir to Nenagh they’ll agree, It’s time we took back Liam McCarthy.
The Blue the gold and the dream, This is for the boys on hill 16.
Brendan Cummins from Ballybacon-Grange, NASA are studying his puck out range.
You put you’re hand up once you won’t do it again, When you’ve been marking Paddy Stapleton.
Paul Curran he’s like a mini digger, He is Mullinahone’s own Swarzanigger.
Michael Cahills our number four, Eircom phone watch ain’t this secure.
Declan Fanning from Killenaule, Sticks like glue to each highball.
Bustin out of defence he is gonna flatten ye, He’s from Newport he’s Connor O’ Mahoney.
Like a wall P.Maher stops each attack, You need planning permission to put him wing back.
For the blue the gold and the dream, This is for the boys on hill 16.
Tipp, Tipp, Tipp, Tipp, Tipp, Tipp,Tipp, Tipp, Tipp, Tipp, Tipp.
We’re throwing a party for Liam McCarthy.
Shane McGraths got electric pace, Brendan Maher will invade your space.
Darragh O Brien will pull you out by the side line, Catchin’ it, whippin’ it, doubling on it first time.
I’d prefer to get hit by a car, Than get hit a shoulder from the Bonner Maher.
Waterford, Wexford, Offaly, Galway, Knocking over points like he’s on holiday.
For John O’Brien I nearly blew me load, When I saw him do the biz on jones’ road.
Tipp, Tipp, Tipp, Tipp, Tipp, Tipp,Tipp, Tipp, Tipp, Tipp, Tipp, Tipp.
We’re throwing a party for Liam McCarthy.
Have we got a match for James Cha? Uh ah Noel McGrath.
The scorin power that he does wield, The most devastating thing since Bull McCabe hit the field.
Out centre forward that did the trick, Five from play where was brick.
Lar Corbett he’s our man, He’s much better than John Mullane.
2001 he was knockin on the door, Now in ever game he is knockin over 1-4.
Eoin Kelly The son of god, Strikes that ball like a lightning rod.
The greatest forward I’ve seen in my life, Cuts through teams like a surgeon’s knife.
For the blue the gold and the dream, This is for the boys on hill 16.
Tipp, Tipp, Tipp, Tipp, Tipp, Tipp,Tipp, Tipp, Tipp, Tipp, Tipp.
Last at the bar they can’t get rid of me, Spilling me Smithwicks on my finches jersey.
Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp.
We’re throwing a party for Liam McCarthy.
Last year in Croke Park, Ended for heartbreak for our Benny.
This year you won’t have to watch South Park, To see who’s going to kill this Kenny.
Darragh Egan and Brian O’Meara, young to the junk from Toomevara.
Pa Bourke, Benny Dunne, Seamus Callanan, Jody Brennan, Upperchurch-Drombane.
Timmy Hammersley, Rossmore-Clounoulty, Conor O Brien, Eire Og-Annacarty.
Darren Glesson from Portroe, Liam Sheedy this one’s for You.
Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp.
We’re throwing a party for Liam McCarthy.
Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp, Tipp.
 Ursuline Secondary School Crest
The popular ‘All Island School Choir’ competition returns to our screens Sunday week and will run for five weeks on RTÉ One.
The event will culminate with the live final which will be held in Belfast’s Waterfront Hall on Sunday, November 14.
Twenty schools have qualified for this year’s regional finals, which take place in the School of Music in Cork, the Royal Theatre in Castlebar, the Solstice Theatre in Navan and the Market Place Theatre in Armagh.
This years chosen competitors will include the Ursuline Secondary School Chamber Choir, from Thurles who will compete in heat number 1 of the event in Cork city.
The competition is organised by Co-Operation Ireland in association with RTÉ. Anne Cassin presents the series which was devised by RTÉ’s Northern Editor, Tommie Gorman, latter who is also the executive producer.
The adjudicators for the competition are Seamus Crimmins, Executive Director of RTÉ Performance Groups, Dr Angela Feeney, well known Belfast Opera singer and teacher, Brendan O’Connor, Musical Director, Cois Cladaigh Chamber Choir in Galway and Dr Geoffrey Spratt, Director of the Cork School of Music and Conductor of the Fleischmann Choir.
I attended the second nights performance of the Irish Premier of the landmark musical “Spring Awakening” in the Helix on Saturday last.
Spring Awakening.
Firstly, what a beautiful theatre and so easy to find for rural ‘hicks’ like myself, who rarely travel into the big smoke. This latter fact, plus the provision on the theatre’s doorstep of easy, cheap parking, had me relaxed and in stress-free mood long before the show began.
I was aware that “Spring Awakening” is a rock musical adaptation of the controversial 1891 German play of the same title, by Frank Wedekind and it featured music by Duncan Sheik with lyrics by Steven Sater.
Set in late-nineteenth century Germany, it concerns teenagers who are discovering the inner and outer tumult of sexuality, but more than that they are discovering that their emerging thoughts and feelings are not just individual and personal, rather part of the development of every young teenager. In the early 19th century, the original play was banned in Germany for a while, due to its portrayal of masturbation, abortion, homosexuality, rape, child abuse and suicide.
In the past Spring Awakening was nominated for eleven Tony Award, winning eight, including Tony’s for best musical, direction, book, score and featured actor. The show has also won four Drama Desk Awards, while its London production, last year, won four Olivier Awards.
With this endorsement and my passion for all things theatrical, it became essential that I should attend, together with some close friends.
Forget Broadway, The Helix May Never Be The Same Again!
For those of you planning to attend Spring Awakening, which will run for only the next four nights, let me tell you it is nothing short of exhilarating. It is a delightful electrifying fusion of comedy, sadness, morality, sexuality and rock and roll and should be made compulsory to attend.
This show is maybe somewhat adult in nature, in both theme and content and possibly not suitable for those under 16 years, but for everyone else it is a ‘must see‘.
The set is modern and well lit. The orchestra are a group of amazingly talented, well rehearsed and dedicated musician. The talent on stage is, I believe, unlike anything I have ever seen in previous shows.
Songs like “Mama Who Bore Me”, “The Bitch of Living”, “The Dark I Know Well”, “Touch Me”, “I Believe”, in act one, followed by “Totally Fucked”, “The Song of Purple Summer”, “Don’t Do Sadness/Blue Wind” in act two, to name just a few of the numbers, are delivered professionally with high energy and with obvious passion, by each performer.
Here is a perfect opportunity for RTE Hosts to up their ratings, by showing some new, exciting, talent on our TV sets, instead of the washed up performers currently forced upon us, nightly.
I can happily report that Musical Theatre in Ireland, unlike most else, is safe into the next half century. I am also happy to report that no fewer than three of those associated with this cast come from here in Co.Tipperary.
Well done Guys and Gals, I’ve got tickets again for Saturday.
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