Lieutenant Henry Richard Power of Littleton, Pocklington and the Royal Flying Corps.
Irish athletics is presently enjoying one of the most remarkable periods in its history. At the European Athletics Championships in Birmingham this August, Ireland secured four individual medals: gold for Mark English in the 800 metres and Kate O’Connor in the heptathlon, silver for Rhasidat Adeleke in the 200 metres, and bronze for Andrew Coscoran in the 5,000 metres. Their achievements offer a timely reason to remember an earlier Irish sporting talent: Henry Richard Power of Ballydavid House, a gifted high jumper and all-round athlete whose promising career was cut short by the First World War.
In the churchyard of St Mary’s at Littleton, County Tipperary, an intricately carved Celtic cross preserves the memory of the Power family of Ballydavid House. Among the names associated with that memorial is Lieutenant Henry Richard Power, athlete, university student, infantry officer and Royal Flying Corps observer, whose life ended during an aerial battle over the North Sea in August 1917. His story links a vanished Irish country house with an old Yorkshire school, the playing fields of Dublin University and the dangerous skies of the First World War.
Former Ballydavid House Littleton, Thurles, since demolished in 1963.
The Power family of Ballydavid House Henry belonged to a prominent local family long associated with Ballydavid House, Littleton which stood near the crossroads village of Littleton, approximately five miles east of Thurles. The house occupied an elevated position and was approached through an avenue planted alternately with green and copper beech trees. Henry’s father, James Michael Power, was baptised at Moycarkey, County Tipperary, on February 4th 1861. His mother, Maria Louise Houghton, was baptised in the Hanover Square district of London on April 11th 1867. Although James was Roman Catholic and Maria belonged to the Church of Ireland, they married in Paddington, London, on February 4th, 1888. They had two sons: James Houghton Power, born around 1888, and Henry Richard Power, born at 21 Lower Mount Street, Dublin, on August 1st 1893.
The religious composition of the household was recorded clearly in the 1901 Irish census. At Ballydavid were: James Michael Power, aged 40, head of the household and Roman Catholic (RC); Maria Louise Power, aged 34, his wife and a member of the Church of Ireland (C of I); James Houghton Power, aged 12, their elder son and a member of the Church of Ireland; Henry Richard Power, aged seven, their younger son and also a member of the Church of Ireland.
The family’s position in the Littleton community rested not only upon ownership of Ballydavid House, but upon a longer tradition of employment, farming and participation in local affairs. The house and its tree-lined avenue formed an imposing presence in the village landscape.
The brothers at Pocklington. Both Power brothers were sent to Pocklington School in the East Riding of Yorkshire. Founded in 1514, Pocklington was already a school of considerable age and reputation, when Henry entered it in May 1908. School records place him there until December 21st 1911. The 1911 census found the 17-year-old Henry boarding at the school, although his birth year was entered as 1894 rather than 1893. Henry soon distinguished himself as an athlete. He was selected for the school’s Gymnastics VIII and developed particular ability in the high jump. The Michaelmas 1911 issue of the Pocklington School Magazine reported enthusiastically upon his performance at the Thurles sports: “H. R. Power, a student of Pocklington School, Yorkshire, has recently performed a great feat by clearing 5ft. 8in. in a running jump at the Thurles Sports in Co. Tipperary.”
The magazine described the young Irishman as “a grand and determined jumper” who appeared capable of reaching the highest level. It also praised him as an accomplished all-round gymnast, especially proficient in strength exercises. During the preceding school term, he had cleared five feet six inches in the high jump and finished second in the school gymnastics competition. The writer predicted that Power might attend Durham University and establish himself in university athletics. “Durham” was almost certainly an error for “Dublin” University, for Henry subsequently entered Trinity College in Dublin.
Athlete and student at Trinity College. At Trinity College, Henry continued to excel in sport. He represented Dublin University in intervarsity competition and won the high jump. His athletic ability was not confined to a single event; he also placed second in the shot put and competed in several other disciplines. In June 1914 he finished second in the high jump at the Irish Amateur Athletic Association championships at Ballsbridge. Contemporary reports regarded him as one of Ireland’s most promising jumpers. A later obituary recalled that at his final university sports he cleared five feet nine and a half inches. For an amateur athlete of the period, competing without modern equipment or specialised training methods, it was an impressive achievement.
Henry also served in the Dublin University Officers’ Training Corps. The experience prepared him for the very different life that began when Europe descended into war.
From the Royal Irish Rifles to the Flying Corps In October 1915 Henry received appointment as a second lieutenant on probation in the 3rd Reserve Battalion of the Royal Irish Rifles. His rank was subsequently confirmed in September 1916. Accounts of his infantry service differ over whether he served with the 13th or 14th Battalion, but contemporary newspaper reports indicate that he saw active service during the Battle of the Somme in 1916. The experience would have brought him into one of the most destructive campaigns of the war. In January 1917 he transferred to the Royal Flying Corps. He trained as an observer, a demanding role that combined aerial reconnaissance, navigation, photography and the operation of a Lewis machine gun. Henry initially served with No.18 Squadron before joining No. 48 Squadron. The latter had an important place in aviation history: it was the first operational squadron equipped with the Bristol F.2 Fighter.
Although commonly known as the Bristol Fighter, the F.2B was a two-seat aircraft. Its pilot operated a forward-firing gun, while the observer occupied the rear cockpit with a flexible Lewis gun. Effective cooperation between the two men was essential. The observer had to watch the sky constantly, communicate with the pilot and defend the aircraft against attacks from behind.
The Gotha Raids. By 1917 Germany had begun using Gotha heavy bombers to attack targets in Britain. These raids represented a disturbing new development in warfare. Civilians far from the trenches could now be reached by formations of large aircraft crossing the North Sea. On August 22nd 1917, German Gothas carried out a raid against the Kent coast. As the bombers turned homeward, British aircraft based in France and Belgium rose to intercept them. Ten Sopwith Camels of No. 4 Squadron, Royal Naval Air Service, went after German fighters protecting the raiders. Other aircraft from No. 3 Squadron searched for the bombers, while No. 66 Squadron dispatched six Sopwith Pups. Six Bristol Fighters of No. 48 Squadron also took to the air.
Henry Power flew as observer in Bristol Fighter A7219, piloted by John Herbert Towne Letts. Thirty miles out from Nieuport The Bristol Fighters encountered the returning Gothas approximately thirty miles off Nieuport and at an altitude of about 15,500 feet. Letts brought A7219 within roughly 200 yards of the enemy formation and opened fire. He made repeated attacks while Henry worked the Lewis gun from the observer’s cockpit. The British crews were operating far out over the sea, at great height and against heavily armed bombers capable of returning concentrated fire. During the running engagement Henry was struck by an enemy bullet. As he collapsed, the barrel of his Lewis gun swung forward and struck Letts on the head. Despite suffering an injury and concussion, Letts retained control of the Bristol Fighter. He fired a green signal flare to indicate that he was breaking off and returning to base. The other British pilots apparently interpreted the flare as an instruction for the whole formation to withdraw. Letts succeeded in nursing the damaged aircraft back to its aerodrome. Nothing, however, could be done for his observer. Henry Richard Power was dead when they landed. He was just 24 years old.
Burial at Zuydcoote Henry was buried in Zuydcoote Military Cemetery in northern France, in Plot I, Row A, Grave 7. The cemetery lies near the Belgian frontier and contains many men who died at casualty-clearing stations established in the Dunkirk area. Henry’s grave records his service with the Royal Flying Corps and his connection with the Royal Irish Rifles. A notice published on 5 October 1917 described him as the younger son of the late James Power and Mrs Power of Ballydavid House. It recalled his education at Pocklington, his studies at Trinity College and his reputation as one of Ireland’s most promising athletes. It also recorded that he had performed “very good service” after transferring to the Flying Corps.
His father had died at Ballydavid on January 21st 1912. His elder brother, Second Lieutenant James Houghton Power, served with the Royal Field Artillery during the war and survived the fighting, but died at Ballydavid on February 10th 1919, aged only 30 years. (Note: Shaving cream and a straight edge were used to highlight faded lettering on Celtic cross headstone.) Maria Louise Power had therefore lost her husband and both of her sons within a seven year period.
Remembered in Ireland, England and France. Henry Richard Power is commemorated in numerous places associated with his family, education and military service. At Littleton, his name appears on the First World War memorial inside St Mary’s Church. He is also remembered on the Power family’s magnificent Celtic cross in the adjoining churchyard. At Pocklington School, “H. R. Power” was inscribed upon the dark-oak war memorial unveiled in July 1921. The memorial, decorated with carved soldiers, the white rose of Yorkshire and elements of the school arms, honoured former pupils who had died in the war. Henry is also included in the school’s Roll of Honour preserved in All Saints’ Church, Pocklington. His name appears in Trinity College Dublin’s war records and in Ireland’s Memorial Records 1914–1918. He is recorded in the Royal Irish Rifles Roll of Honour, preserved in the Irish Regiments Chapel at Westminster Cathedral. As a casualty of the early air war, Henry is commemorated at the Museum of Army Flying at Middle Wallop and in the Royal Flying Corps and Royal Air Force Book of Remembrance in St Clement Danes Church, London. In France, his name forms part of the Ring of Remembrance at Notre-Dame-de-Lorette. The great elliptical memorial bears the names of almost 580,000 men of many nationalities who died in northern France during the First World War, presented alphabetically and without distinction of rank, religion or nationality.
The passing of Ballydavid. Ballydavid House remained in the Power family’s possession until 1940. After the death of Maria Louise Power, responsibility for the property passed to her sister Anne Houghton, who had devoted much of her life to the Stewart Institution in Cork. Following Anne’s death in 1950, the house entered a period of decline. It changed ownership several times and was eventually judged unsafe. In 1963 Ballydavid House was demolished. Much of its masonry was reportedly used as rubble filling during construction of a new wing at St Patrick’s College, Thurles, between 1963 and 1965. (The once nearby apple orchard is Littleton new Cemetery today.) The house stood approximately where Littleton’s Roman Catholic Church (Church of Our Lady & St Kevin) now stands. Some of the old beech trees from its avenue still survive.
A young life between two worlds. Henry Richard Power’s story belongs equally to Ireland and Yorkshire. He was born in Dublin and raised at a Tipperary country house, yet important years of his youth were spent at Pocklington School. He became known not for soldiering but for athletics: a determined high jumper and gymnast whom his school believed capable of reaching the summit of Irish and university sport. War carried him from the playing field to the Somme and then into the still-new world of military aviation. On 22 August 1917, thirty miles out over the sea, his life ended in the rear cockpit of a Bristol Fighter while pursuing the bombers that had attacked England. His grave at Zuydcoote, his name on the memorials of Pocklington and Trinity College, and the carved Celtic cross at Littleton connect the scattered places of his short life.
While Ballydavid House itself is gone. Henry’s name remains.
The Thurles Crokes A.C. Streets of Thurles 5K Road Race will take place on Sunday, 16th August 2026, from 10:00am to 11:30am.
Traffic Notice and Route: Streets of Thurles 5K Road Race.
Traffic restrictions and diversions will be in place throughout Thurles town for the duration of this popular event. Motorists should expect delays and are advised to allow extra time for their journeys or use alternative routes where possible.
This August, the fairways of Thurles Golf Club will become the setting for something far greater than a round of golf.
From Tuesday, 18th August to Friday, 21st August 2026, golfers from across County Tipperary and the Archdiocese of Cashel and Emly are invited to gather in friendship, rivalry and common purpose for the Thurles Lions Club Golf Classic 2026.
At the heart of the event stands one of Thurles’s most treasured landmarks: the magnificent Cathedral of the Assumption.
Construction of the Cathedral began in 1865, and it was consecrated in 1879. For almost a century and a half, its towers, domes and sacred spaces have watched over generations; marking baptisms, weddings, funerals, feast days and countless moments in the life of the community. Now, as the Cathedral approaches its 150th anniversary in 2029, its roof requires major replacement. The wider fundraising campaign is working to secure the future of this much-loved building, described by Thurles Parish as more than stone and mortar, but a place of faith, memory and community that must be preserved for generations still to come.
Thurles Lions Club has committed to raising €50,000 over four years in support of that mission, and the upcoming Golf Classic is one of the central events in that effort.
The People To Chat To:- L-R: Lions Club member Mr William McDonagh and Lions Club President Ms Mary Slattery.
A golf competition with parish pride at stake. Teams of three players are invited to enter, with every team competing for the Thurles Lions Club Golf Classic Trophy and a share of an overall prize fund of approximately €2,000.
But this is no ordinary golf classic. Parish teams will also have the opportunity to compete for two special perpetual trophies: The Tipperary Parishes Trophy, sponsored by Thurles Lions Club. The Cashel and Emly Trophy, sponsored by Archbishop Kieran O’Reilly.
To represent a parish, each member of the team must either live in that parish or have grown up there. A parish may enter as many teams as it wishes. The two best team results from each parish will be combined to determine its overall score—opening the door to friendly rivalry, local bragging rights and, perhaps, a little parish history.
► Who will carry the honour of their community? ►Who will hold their nerve over the closing holes? ► Which parish will return home with the trophy?
Event Details:
Date:18th – 21st August 2026. Venue: Thurles Golf Club. Teams: Teams of three. Cost: €210 per team, including green fees and a meal. Prizes: Approximately €2,000 in prizesplus Trophies.
Thurles Golf Club provides a fitting stage for the occasion: a mature parkland course known for its peaceful surroundings, welcoming atmosphere and strong playing conditions.
Note:Payment may be made when the team checks in at Thurles Golf Club on the day of play.
Businesses, organisations and individuals can also support the event through tee-box sponsorship for €100. Parish teams are encouraged to seek local sponsorship and bring their wider communities into the campaign.
This is an opportunity to play for your parish—but also to play for heritage, remembrance and the generations who will one day walk through the Cathedral doors.
Four summer days. Three players per team. One great community cause. Great golf. Great cause. Great community. Support. Play. Make a difference.
GAA President Jarlath Burns has pledged to do everything within his power to help secure a brighter future for Semple Stadium, during the remainder of his term in office.
The Armagh native made the commitment at the unveiling of the new “Ár gCluichí Féin” statue at the historic Thurles venue yesterday.
With Semple Stadium having fallen behind many of the country’s more modern grounds, the need for significant investment and redevelopment is now widely recognised. Addressing those in attendance, Mr Burns spoke passionately about the responsibility facing the GAA and its leadership over the coming decade. He said the stadium must receive the funding required to ensure future generations can continue to take pride in one of the Association’s most iconic venues. Mr Burns pledged that, during his remaining months as Uachtarán Chumann Lúthchleas Gael, he would work to honour Semple Stadium and help restore it to the standard envisioned by pioneering figures such as Tom Semple.
His powerful five-minute address left a lasting impression on the audience. Speaking without notes, his exceptional command of the Irish language, natural eloquence and strength as a public speaker, held those present in awe.
His remarks were a fitting and memorable tribute to Semple Stadium’s remarkable past, as well as a strong statement of intent regarding its future.
A monumental bronze sculpture by Kilkenny artist Mr Aidan Harte was unveiled outside FBD Semple Stadium in Thurles today, celebrating the town’s unique place in the history of Gaelic Games.
Standing more than three metres tall, Ár gCluichí Féin, (meaning Our Own Games), depicts a male and female player in motion, representing the energy, skill and shared traditions of hurling, camogie and Gaelic football.
Ár gCluichí Féin. Pic: G. Willoughby.
The inclusion of the female figure is particularly significant, making the work the first major GAA statue to portray a female player.
The sculpture honours Thurles as the birthplace of the Gaelic Athletic Association, which was founded at Hayes’ Hotel in the town in 1884. The Ladies Gaelic Football Association was also established at the same location 90 years later, in 1974. GAA President Mr Jarlath Burns attended the unveiling alongside young representatives of the Primary Games and leading Tipperary players, including senior hurling captain Mr Ronan Maher, vice-captain Mr Jake Morris and senior camogie captain Ms Caoimhe McCarthy.
GAA President Mr Jarlath Burns. Pic: G. Willoughby.
Commissioned by Tipperary County Council in partnership with Tipperary GAA and FBD Semple Stadium, the artwork forms part of a wider place making programme for the area. The investment also includes tourism, active-travel, road, cycling and public-realm improvements around the stadium and truly is a must view.
Mr Harte began his career in the arts at Kilkenny-based animation studio Cartoon Saloon, working alongside its founders Tom Moore and Paul Young. He later studied sculpture in Florence and has created several prominent works, including the widely discussed Púca sculpture commissioned for County Clare.
Now permanently positioned beside one of Ireland’s most celebrated sporting grounds, Ár gCluichí Féin provides a striking tribute to the generations of women and men who have played, supported and sustained Ireland’s native games.
Present Chairperson (Cathaoirleach) of Tipperary County Council, Labour CouncillorMs Fiona Bonfield summed up the occasion in her introductory opening speech stating: “It is wonderful to see such a large attendance here today. Unlike most occasions held in Semple Stadium, there is no debate this morning about team selections, controversial refereeing decisions, or whether the ball went over the bar. For once, we are all gathered in complete agreement to celebrate something truly special. It is a great pleasure to be here today for the unveiling of this remarkable artwork—a piece that celebrates a place of profound importance in Ireland’s sporting, cultural and social history: Thurles, the birthplace of the Gaelic Athletic Association. In a week when we have witnessed at first hand the importance of our national games to our people, and collectively celebrated a historic game last Sunday, (Mayo v Kerry) we have, as a nation, felt a tremendous sense of pride in that journey.
Today, we gather not only to welcome a new artistic creation, but also to honour a story—a story that began here in Thurles in 1884, when a small group of visionaries came together with the ambitious idea of preserving, promoting and strengthening Ireland’s indigenous games and cultural traditions. From that meeting emerged an organisation that would grow beyond anything its founders could ever have imagined. What would those founders think if they could see the GAA today? For more than 140 years, the GAA has helped to shape communities across Ireland and throughout the world. It has nurtured generations of players, volunteers, supporters and families. It has provided places where people belong, where friendships are forged, where leadership is developed and where local pride flourishes.”
Chairperson (Cathaoirleach) of Tipperary County Council Labour CouncillorMs Fiona Bonfield. Pic: G. Willoughby.
“At the heart of that story is Thurles. This town occupies a unique place in our national consciousness. It is where the foundations were laid for a movement that would become one of the largest amateur sporting organisations in the world. It is fitting, therefore, that this artwork should stand here in Thurles as a permanent reminder of that legacy, and of the vision, determination and community spirit that inspired the founders of the Association. Public art has a special role in our communities. It allows us to connect with our shared history, celebrate our identity and tell our stories in a way that resonates across generations. Great artwork, however, endures. It captures the imagination, sparks conversations and leaves a lasting impression. This artwork does precisely that. It honours the past while speaking to the future. It reminds young people of the extraordinary heritage they inherit and encourages them to become the next generation of players, volunteers, artists, leaders and custodians of community life. As we unveil this artwork, we celebrate far more than a historical event. We celebrate creativity. We celebrate artistic mastery. We celebrate community. We celebrate volunteer-ism. We celebrate identity. Above all, we celebrate a town whose name will forever be linked with one of the most influential organisations in Irish life.” continued Ms Bonfield.
While welcoming the many dignitaries and team players in attendance today; Ms Bonfield further stated, “Fittingly, here in Thurles, at the Field of Legends, we celebrate a passion that can unite neighbours, families and entire counties”.
Our Games Began Here — and Today, They Come Home
“Ár gCluichí Féin” artist Mr Aidan Harte. Pic: G. Willoughby.
Speaking after the sculpture was revealed, Ár gCluichí Féin artist Mr Aidan Harte described the satisfaction of finally seeing the completed work installed on its plinth. The artist spent much of the previous year modelling the figures in clay at his Kildare studio, before the piece was transferred to a foundry and cast in bronze.
Mr Harte stated, “My father will be the first to tell you that I am Ireland’s worst sportsman. I peaked as a corner-forward at the age of nine. But sculpting this pair of giants was my version of senior hurling. Thank you to Ms Melanie Scott of Tipperary Arts Office for awarding me this commission amid strong competition, and for supporting me throughout its year-long creation.
Thank you to Mr Vincent O’Shea for his good advice, and the occasional kick up the arse when I needed it. Thanks also to sculptors Mr Alan Clarke, Ms Liz O’Kane and Mr Hywel Pratley for their second opinions on anatomy and composition, and to Mr Kieran Riley for his engineering advice on constructing a work of this scale. The Foundry did far more than cast the sculpture; they were co-creators. My thanks to Mr David O’Brien, Jessica, Sandra, Ahmed and Brian for transforming the clay created in my studio into bronze.
The raw materials for the plinth came from Manor Stone, while Thomas Duffy and the County Council team constructed it, along with the elegant space in which the sculpture now stands. Completing everything on time required close coordination between Thurles District Council and Semple Stadium, led by Ms Deirdre Dunne and Mr David Morgan.
Finally, thank you to the people of Thurles for allowing my champions to become part of the Semple Stadium’s story. Our games began here. They thrived here. Today, they come home.
Down in County Clare, my first public sculpture, The Púca, stands in the birthplace of Michael Cusack, founder of the GAA, with FBD Semple Stadium one of the great arenas of Gaelic games, and it is an honour to take part in its continuing story. I hope this sculpture reminds everyone who sees it of how powerful we can be when people unite around the things they love. The two figures do not depict any particular players, because Gaelic games belong to all of us. Thank you to everyone who helped bring this work to life: my wife, Bronagh, who put up with the muddy floors; my neighbour Stuart, who loaned me his football boots; and my models, Natalia Hornet, Noémie Birard, Michael Harte and Pierce Harte. I created the sculpture on top of a steel armature, built by my father Billy, back in the 1970s. Billy himself hurled on these hallowed grounds for Kilkenny.
Thank you all for coming out and sharing this special occasion”, concluded Mr Harte.
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