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Dear Esteemed Voices of Opposition in Government. (Yes, you lot).
We, the People of Tipperary (yes, that rag-tag, unwashed mob, who struggle to pay the rent, mind the children, endure freezing radiators and fruitless housing-hunts), write to you today with admiration.
Oh yes, you have mastered something truly impressive: the art of being perpetually angry and outraged, heroically indignant and spectacularly unhelpful. (Bravo, Three Cheers, Hip, Hip, Hooray).
You stand there in the Dáil, gesturing grandly, as though you are the last defenders of Irish morality and justice, and the nation watches on, in overwhelming fear and general anxiety, before wondering what the hell exactly were you offering yet again?
Our Civic Palace of Stone & Voice.
Awe-inspiring words (volume high, content light). Your speeches soar with righteous anger. You denounce, you condemn, you rail against government failures. You paint bleak pictures of homelessness, cost-of-living, neglect, inequality. You raise the volume, you draw the cameras, you craft the headlines and welcome criminals into our Ardeaglais na nDlíthe (Cathedral / High Church of Laws), our Civic Palace of Stone and Voice, our People’s Drawing-Room, better known as Leinster House.
Yet, when the press lights dim and the papers close, the problems remain. Those health waiting lists grow – the rents continue to climb – the vacant units and houses stay vacant and deteriorate – and the young people we highly educate for free simply emigrate to the benefit of other states.
Is this your grand plan? A master-class in rhetorical fury, without a blueprint, without a map, without wheels that actually roll.
No plan, no policy, just performance You accuse the Government of failure, and indeed with some justice. But then: what is your remedy? You hand us soundbites, slogans, finger-pointing. You hand us anger and outrage. You do not hand us homes. You do not hand many people peace of mind. If politics is a fire, you seem to delight in fanning flames of indignation, but offer no water, no ladder, no shovel to dig foundations to rebuild what has burned.
Procedure over purpose. You treat parliamentary procedure like a stage for drama. Adjournments, speaking-rights rows, stand-off’s, delicious theatre. Critics dare to call it “chaos.” Some might even call it an embarrassment. But to you, it’s perfect. Because nothing says “principled opposition” like disruption for disruption’s sake. You trumpet this as integrity. We hear the loud banging and the unconstructive silence that follows those bangs.
Then amongst the so called Independents; those great parliamentary wallflowers who would sooner walk barefoot across hot coals than appear in a live television debate. They know full well that the moment they open their mouths without a script, the entire country would witness the intellectual equivalent of a slow-motion car crash. So instead, they clutch their pre-written sheets, like a toddler clings to a comfort blanket, lift them up with trembling hands; while attempting to read aloud words they clearly had only encountered for the first time, just moments earlier.
What follows is a linguistic bloodbath: mispronounced names, mangled terminology, long pauses where they glare at the page as if the letters are rearranging themselves out of spite. They stutter, they stumble, they sweat, like someone trying to defuse a bomb using only phonics. It becomes obvious that the speech wasn’t written for them, so much as in spite of them. By the time they reach the end, the chamber is left wondering not what point they were trying to make, but how such a person was ever trusted with a microphone, a mandate, or indeed the ability to read aloud in public. These today are, allegedly, our lawmakers. God help us.
And then, of course, we have the Opposition’s “Elder States People”Sinn Féin, those political veterans who behave as though their entire past was spent rescuing kittens from trees and mentoring youth choirs, rather than, whatever it was they were actually doing. Their official biographies glide gracefully from birth to present day, skipping over entire decades the way a dodgy landlord skips over mentioning mould in a rental advert.
These are the same people who now lecture the public about peace, ethics and moral leadership, while hoping no one ever dusts off the old photo albums from their glory days, which saw them remembered for blowing things up with great enthusiasm and who involved themselves in robbing banks and home grown genocide.
Listening to them now; polished, pious, freshly laundered, you’d swear they spent the 1980s running charity bake sales rather than attending strategy meetings in windowless rooms, lit by a single flickering candle. Their reinventions are so dramatic they make witness protection programmes look lazy.
And yet, with straight faces and quivering angry indignation, they condemn everyone else for moral failings. It would be funny if it weren’t so magnificently ridiculous, a whole troupe of reformed revolutionaries pretending their pasts were nothing more than a misunderstanding, involving fireworks and enthusiastic landscaping.
The people, now weary, watch from the sidelines. We are tired; not of the problems, no we cannot afford that luxury. We are tired of the show. We are tired of the endless promises of change, if only the Government is shamed enough. Shame. Shame again, and then, nothing.
We, the salary payers, used to believe that opposition was a safeguard: a watchdog, a conscience, a balance. Now, increasingly, we suspect it’s become a puppet-show, put on for the people, yes, your employers, who are now a jaded audience.
What we the people would like you to remember:
If you believe there is a crisis, propose a fix, not just an angry rant.
If you object to the way things are run, say how you would run them, not just why they are wrong.
If you seek to hold power accountable, do so without turning every debate into a circus. Clarity beats chaos.
And finally; remember those of us who don’t work a 3 day week outside of Leinster House. The ones who count the days until payday, who worry where the next rent cheque will come from, who wonder if home will ever mean more than a roof and attempt to give us hope.
Without hope, loud speeches become hollow noise, and parliament becomes a theatre of shadows.
Yours sincerely, We, the People of Tipperary, (tired of the Drama, longing for Delivery).
Lyrics and Vocals: British singer/songwriter, musician, philanthropist and actor, Sir Cliff Richard & The Shadows, (Born Harry Rodger Webb).
Sir Cliff Richard.
Don’t Talk to Him.
Don’t Talk to Him.
If some guy tells you, I don’t care, And tells you lies while I’m not there, don’t talk to him, And if he tells you, I’m untrue, then darling, here what you must do, don’t talk to him And if he tells you I’ve been seen walking ’round with Sue and Jean, he’s lying again (lying again). Do anything that you want to, but darling, this I beg of you, don’t talk to him. If you hear the words he has to say, he’ll break your heart. Let your love for me prove strong, while we are far apart. So just remember what I say, and trust in me while I’m away for I’ll be true, And just remember my true love is brighter than the moon above for only you, And if this guy should try to say my love for you is only plain, mearly a whim, (mearly a whim), Just close your eyes and count to ten and think of me again, but don’t you talk to him.
And if he tells you I’ve been seen walking ’round with Sue and Jean, he’s lying again (lying again). Do anything that you want to, but darling, this I beg of you, don’t talk to him. If you hear the words he has to say, he’ll break your heart, Let your love for me prove strong, while we are far apart. So just remember what I say, trust in me while I’m away, for I’ll be true, And just remember my true love is brighter than the moon above for only you, And if this guy should try to say my love for you is only plain, mearly a whim, (mearly a whim), Just close your eyes, count to ten and think of me again, but don’t you talk to him.
“The sign of a healthy economy should be a drinkable river.”
[Quote by Ms Li An Phoa, (founder of the organization ‘Drinkable Rivers’)].
In relation to the pollution of the River Suir in Thurles which we, after 13 years of watching the sheer neglect of same, by Tipperary Co. Council, drew to the attention of the Environmental Protection Agency (EPA) at the end of August last, has finally received a reply.
Effluent continues to flow into the River Suir in Thurles Town centre. Pic: G. Willoughby (Dated October 9th, 2025)
It is with great personal sadness and utter frustration that I report, first on the reply received from the EPA on Tuesday 25th November, 2025 which reads as follows:
(Ref: COM021813) Dear Mr Willoughby, Further to previous correspondence and responding to your concerns, the EPA wrote to Tipperary County Council seeking a written response from them on actions taken or planned on this matter. Tipperary County Council replied to the EPA on 23/10/2025. I enclose for your information a copy of a report received from Tipperary County Council in response to the issues raised in your complaint. The EPA is satisfied that Tipperary County Council is dealing with the issue raised in your complaint and in view of this, the EPA will not be pursuing it further at this time. The EPA recommends that you report any further issues directly to Tipperary County Council (preferably in writing) as the responsible authority. Please use the reference number above in any further correspondence with the EPA regarding this matter. Kind regards, Nessa Dearle.
While the EPA publicly admit that wastewater discharged from 59% of Ireland’s existing treatment plants fail to consistently meet standards set in EPA licences to prevent pollution and further admit that wastewater discharges continue to harm water quality in rivers, estuaries, lakes and coastal waters, they are not anxious to take on Tipperary Co. Council.
We will be publishing the inadequate awareness of the facts in the reply sent to the EPA by Ms Colette Moloney (Senior Executive Scientist with Tipperary County Council) shortly, as soon as time permits.
A powerful new advert from the Data Protection Commission (DPC) in Ireland, part of the “Pause Before You Post” initiative, has been making waves online.
As shown hereunder, the film begins as an innocent family stroll through a shopping centre, with a mother, father and young daughter. What starts out as a normal outing quickly becomes unsettling, as strangers begin greeting the child by name and mentioning intimate details of her life, information that, in the scenario, was gleaned from her parents’ social-media posts.
As the tension builds, one stranger even downloads a photo of the girl, a chilling visual that underlines the core message of the campaign: every time you share your child’s life online, you risk sharing their personal data with the world.
What the campaign warns about:
According to the DPC, the ordinary act of “sharenting”; posting photos, videos or personal data about children, can unintentionally build a permanent digital footprint for them. This may include names, dates of birth, images, friends, locations, clubs or routines, all shared without a child’s consent or understanding.
The campaign highlights four principal risks: (1) Misuse of images/data, photos and videos may be downloaded, reused or manipulated, possibly even turned into harmful content, such as deepfakes or child-sexual-abuse material. (2) Unwanted contact or exposure to strangers, information such as routines, clubs or locations can make children vulnerable. (3) Long-term digital footprint & privacy loss, once shared, data can remain publicly accessible indefinitely; children may lose control over how their childhood memories are used or perceived. (4) Potential identity/fraud risks, shared personal data can facilitate identity theft or fraud, especially if combined with other publicly available information.
What parents and guardians should consider: The DPC doesn’t call for an outright ban on sharing children’s photos or memories, instead, it urges caution and mindfulness.
Key advice includes: Pause and reflect: Before posting, consider whether you’d be comfortable if a stranger knew this information about your child. Share selectively: Use private channels, close family groups or private messaging, rather than public social-media posts. Minimise identifiable info: Avoid posting names, dates of birth, school, clubs, routines — information that can be combined to build a picture of a child’s identity. Wait for consent: As children grow older, involve them in decisions about what’s shared. Their agency over their own digital footprint deserves respect.
Why the ad feels like a horror-movie and why that matters:
What makes “Pause Before You Post” especially striking is how it transforms a mundane, everyday moment into something deeply unsettling. That sense of normality turned on its head, strangers knowing things about your child you only shared with friends or family, evokes the same kind of dread that horror films aim for. That visceral reaction is the campaign’s intent; to force parents to confront the hidden risks of everyday oversharing. The shock is deliberate. It grabs attention and once you feel that discomfort, you can start to see just how easy it is to build a lasting digital “record” for a child, one over which they may have little future control.
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