Lyrics and Vocals: American singer, Song writer, Musician and Actor the late Kris Kristofferson. (1936–2024).
The Late Kris Kristofferson.
Kris Kristofferson’s gospel-leaning country classic ‘Why Me ?’ feels less like a performance and more like a plainspoken prayer. Released as a single in March 1973 from the album “Jesus Was a Capricorn“, it became the biggest solo hit of his career, topping Billboard’s Hot Country Songs in July 1973. Kristofferson later linked it to a moment at a church service when the preacher asked, ‘Is anybody feeling lost?’, and his hand went up. So, with that honesty at the heart of it, here’s ‘Why Me ?’.
‘Why Me ?’
Why me Lord, what have I ever done, To deserve even one, Of the pleasures I’ve known. Tell me Lord, what did I ever do, That was worth loving You, Or the kindness You’ve shown. Lord, help me Jesus, I’ve wasted it, So help me Jesus, I know what I am, But now that I know that I’ve needed You, So Help me Jesus, my soul’s in Your hand. Try me Lord, if You think there’s a way, I can try to repay, All I’ve taken from You. Maybe Lord, I can show someone else, What I’ve been through myself, On my way back to You. Lord, help me Jesus, I’ve wasted it, So help me Jesus, I know what I am. But now that I know that I’ve needed You, So help me Jesus, my soul’s in Your hand. Lord, help me Jesus, I’ve wasted it, So help me Jesus, I know what I am. But now that I know that I’ve needed You, So help me Jesus, my soul’s in Your hand. Jesus, my soul’s in Your hand.
Lyrics and Vocals: Irish singer, songwriter and entertainer of the country and Irish genre Johnny McEvoy.
Johnny McEvoy.
The song hereunder “You Seldom Come to See Me Anymore” sees Johnny McEvoy at his best: warm, gentle, and heartbreakingly direct, where a few simple lines say what a whole argument never could. It was even one of the nearest he came to breaking the UK charts, helped along by strong record sales in the North of Ireland. So if you know it, sing it, and if you don’t, you’ll certainly feel it.
You Seldom Come See Me Any More.
You Seldom Come See Me Any More.
What’s your hurry, can’t you stay and pass an hour away? And we’ll sit and dream awhile by candlelight. For when the long day’s over, that’s the time I fear the most, When I hear your footsteps fade into the night. You’re restless, tell me why there’s a teardrop in your eye, And I’ve seen it there a hundred times before. And I know you’re going to leave me and it always breaks my heart, For you seldom come to see me any more. I well recall that day when my ship it sailed away, To a far off distant land across the sea, Where a cruel war was raging, where time was standing still, And blind hatred was the order of the day. You’re restless, tell me why there’s a teardrop in your eye, And I’ve seen it there a hundred times before, And I know you’re going to leave me and it always breaks my heart, For you seldom come to see me any more. Now I know it can’t be fair for a soldier’s wife to hear, How he helped to keep his country proud and free, And no bronze nor fancy ribbons can ever heal the pain, When he comes back half the man he used to be. You’re restless, tell me why there’s a teardrop in your eye, And I’ve seen it there a hundred times before, And I know you’re going to leave me and it always breaks my heart, For you seldom come to see me any more. You seldom come to see me any more.
Ratepayers’ Cultural Safety Briefing for the Maryland USA Mission (St Patrick’s Weekend Edition).
Tipperary ratepayers warmly welcome news of the proposed Maryland excursion by the CEO of Tipperary County Council, Ms Sinead Carr, along with the Cathaoirleach, Cllr Mr John Carroll and Mr Anthony Fitzgerald (Head of Enterprise and Economic Development and Tourism), latter a brave initiative in international relations, and an even braver initiative in free expensing, courtesy of Tipperary taxpayers.
However, before anyone is released into the wilds of a round of St Patrick’s weekend receptions, it is essential the travelling party completes the Maryland Compulsory Heritage Module, because nothing says “strategic engagement in quantum technologies” like being caught flat-footed on a 19th-century poem in front of a room of people who can quote it at you.
Pic L-R:Barbara Frietchie, & poet John Greenleaf Whittier.
Module 1:Barbara Frietchie (1766 – 1862), [Fritchie, Fritchie-ish, depending on who’s correcting you]. All delegates must demonstrate a working knowledge of the famous Frederick legend in which an elderly woman allegedly waves the Union flag, while Stonewall Jackson passes through, and he, like a well-trained character in a civic morale story, obligingly delivers the appropriate line on cue. Warning, this is not optional. In Maryland, this is basically local scripture, and you will be judged accordingly.
Module 2: Stonewall Jackson, not just a beard, a brand. You don’t have to agree with the legend, but you must be able to nod thoughtfully, while someone says “Of course you know the story…” and you respond like a person who has absolutely not spent the flight learning it from a laminated handout.
Module 3: Frederick’s “Shared Heritage”. Delegates are reminded that Frederick’s history has more edge than a brochure. For example, your hosts may be vaguely aware of the 1781 treason case in Frederick, (Mr Caroll please note), involving British loyalists, including Mr John Caspar Fritchie (Barbara’s father-in-law), convicted in a plot involving British prisoners and a rendezvous with Cornwallis in Virginia, resulting in their nasty executions two months later. This is the part of “people-to-people ties” that rarely makes the PowerPoint, but it does wonders for small talk, if the canapés are slow coming out of the kitchen.
Assessment: A short oral exam may occur at any point, possibly mid-toast, possibly in front of cameras. Passing grade requires:
Correct pronunciation of “Frietchie/Fritchie” without looking panicked.
Ability to smile as if you’ve always loved American Civil War folklore.
The restraint not to say “Sure we’ve our own rebels at home”(referring to ‘People Before Profit’ and ‘Sinn Féin’), unless you enjoy diplomatic incidents.
Anyway, thank God, we are getting some return on our Property Taxes and it’s so comforting, because for a moment there I worried our money was being used efficiently. Now, with the bar so low (it’s basically underground), yet we are still managing to trip over it. Absolutely, nothing says ‘value for money’ like spotting that single working streetlight and the knowing that the Thurles potholes are really just a normal street feature.
Finally, ratepayers would like to reassure this delegation, that if you accidentally confuse Barbara Frietchie with any other historic flag-waver, don’t worry, the room will correct you instantly, with great enthusiasm, at full volume, and for free.
Safe travels. Spend wisely. Reports of any major successes in tourism, business, of course will be required. Oh and for the love of God, do your homework.
Now, to add some educational context; read the poem by John Greenleaf Whittier (1807 – 1892) latter published in October 1863.
Barbara Frietchie.
Up from the meadows rich with corn, clear in the cool September morn, The clustered spires of Frederick stand green-walled by the hills of Maryland. Round about them orchards sweep apple and peach-tree fruited deep, Fair as a garden of the Lord to the eyes of the famished rebel horde, On that pleasant morn of the early fall when Lee marched over the mountain wall, Over the mountains winding down, Horse and foot, into Frederick town. Forty flags with their silver stars, forty flags with their crimson bars, Flapped in the morning wind, the sun of noon looked down, and saw not one. Up rose old Barbara Frietchie then, bowed with her fourscore years and ten; Bravest of all in Frederick town, she took up the flag the men hauled down; In her attic window the staff she set to show that one heart was loyal yet. Up the street came the rebel tread, Stonewall Jackson riding ahead. Under his slouched hat left and right he glanced: the old flag met his sight. “Halt!”, the dust-brown ranks stood fast, “Fire!”, out blazed the rifle-blast. It shivered the window, pane and sash, it rent the banner with seam and gash. Quick, as it fell, from the broken staff, Dame Barbara snatched the silken scarf; She leaned far out on the window-sill, and shook it forth with a royal will. “Shoot, if you must, this old grey head, but spare your country’s flag,” she said. A shade of sadness, a blush of shame, over the face of the leader came. The nobler nature within him stirred, to life at that woman’s deed and word. “Who touches a hair of yon grey head dies like a dog! March on!” he said. All day long through Frederick street, sounded the tread of marching feet, All day long that free flag tossed over the heads of the rebel host. Ever its torn folds rose and fell, on the loyal winds that loved it well, And through the hill-gaps sunset light shone over it with a warm good-night. Barbara Frietchie’s work is o’er, and the Rebel rides on his raids no more. Honour to her, and let a tear fall, for her sake, on Stonewall’s bier. Over Barbara Frietchie’s grave, flag of Freedom and Union, wave, Peace and order and beauty draw round thy symbol of light and law; And ever the stars above look down on thy stars below in Frederick town! End
Lyrics and Vocals: American singer and songwriter, the late John Lester Nash Jr.(1940-2020).
Johnny Nash.
Released in 1972, “I Can See Clearly Now” is the bright, reggae-laced, pop-soul single that became Johnny Nash’s signature recording; written and produced by Nash, it pairs an easy, sun-after-storm groove, with a simple message of resilience, moving from setback and confusion to renewed confidence and perspective.
I Can See Clearly Now.
I Can See Clearly Now.
I can see clearly now, the rain is gone. I can see all obstacles in my way. Gone are the dark clouds that had me blind, It’s gonna be a bright (bright), bright (bright), Sun-shiny day. It’s gonna be a bright (bright), bright (bright), Sun-shiny day. I think I can make it now, the pain is gone. All of the bad feelings have disappeared. Here is the rainbow I’ve been prayin’ for, It’s gonna be a bright (bright), bright (bright), Sun-shiny day. Look all around, there’s nothin’ but blue skies. Look straight ahead, nothin’ but blue skies. I can see clearly now, the rain is gone, I can see all obstacles in my way. Gone are the dark clouds that had me blind. It’s gonna be a bright (bright), bright (bright), Sun-shiny day. It’s gonna be a bright (bright), bright (bright), Sun-shiny day. Gonna be a bright (bright), bright (bright), Sun-shiny day. Oh, what a bright (bright), bright (bright), Sun-shiny day…
Lyrics And Vocals: American singer, songwriter and guitarist Bruce Frederick Joseph Springsteen rightly named the “Boss”.
I personally welcome and strongly supports Bruce Springsteen’s “Streets of Minneapolis”, released as an urgent act of witness and solidarity with Minneapolis, a city now in distress, and with immigrant neighbours who have been left feeling exposed and afraid.
In his accompanying statement, Mr Springsteen dedicated the song to the people of Minneapolis and to “our innocent immigrant neighbors,” and to the memory of Mr Alex Jeffrey Pretti and Mrs Renée Nicole Macklin Good.
This song release matters not only for what it condemns, but also for what it protects; the idea that a community is more than its sirens and headlines, it is families, friendships, small kindnesses, and the ordinary love that holds a place together when the temperature drops and the pressure rises.
In that sense, “Streets of Minneapolis” lands like a fierce kind of love letter: not romantic in the shallow sense, but a vow that people are worth defending, and that grief should never be met with total indifference.
Bruce Springsteen.
Mr Springsteen’s words and the song in its framing are explicit about the moral claim he is making and we stand with that claim, and with the principle behind it. Artists should/must be free to respond to public events, to challenge authority, and to stand visibly with those they believe are being harmed. There are moments when politics becomes personal; when a city’s name is spoken like a prayer; when strangers hold the line for one another; when a song becomes that “comforting hand on a shoulder”.
Streets of Minneapolis.
Streets Of Minneapolis.
Through the winter’s ice and cold, Down Nicollet Avenue, A city aflame fought fire and ice, ‘Neath an occupier’s boots. King Trump’s private army from the DHS, Guns belted to their coats, Came to Minneapolis to enforce the law, Or so their story goes. Against smoke and rubber bullets, In dawn’s early light, Citizens stood for justice, Their voices ringing through the night. And there were bloody footprints, Where mercy should have stood, And two dead left to die on snow-filled streets, Alex Pretti and Renee Good.
Oh our Minneapolis, I hear your voice, Singing through the bloody mist. We’ll take our stand for this land, And the stranger in our midst. Here in our home they killed and roamed, In the winter of ’26. We’ll remember the names of those who died, On the streets of Minneapolis.
Trump’s federal thugs beat up on, His face and his chest, Then we heard the gunshots, And Alex Pretti lay in the snow, dead. Their claim was self defense, sir, Just don’t believe your eyes, It’s our blood and bones, And these whistles and phones, Against Miller and Noem’s dirty lies.
Oh our Minneapolis, I hear your voice, Crying through the bloody mist, We’ll remember the names of those who died, On the streets of Minneapolis.
Now they say they’re here to uphold the law, But they trample on our rights, If your skin is black or brown my friend, You can be questioned or deported on sight.
In a chant of ICE out now, Our city’s heart and soul persists, Through broken glass and bloody tears, On the streets of Minneapolis.
Oh our Minneapolis, I hear your voice, Singing through the bloody mist. Here in our home they killed and roamed, In the winter of ’26. We’ll take our stand for this land, And the stranger in our midst. We’ll remember the names of those who died, On the streets of Minneapolis. We’ll remember the names of those who died On the streets of Minneapolis.
END.
Let compassion be stubborn, to let dignity be non-negotiable, and to let love for neighbour outrun fear.
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