Rosie and the Marquess of Headfort
Highlights of the May 2012 “Irish Art Sale,” by Sotheby’s Auction House in London, will go on view in Dublin at No 16 Molesworth Street, on April 24th and 25th and will include two portraits by Dublin born, Sir William Orphen, Ireland’s if not the world’s greatest portrait painter.
Interestingly both of these portraits in this auction have strong Thurles associations to this very day. The portraits are of the glamorous music-hall star Rosie Boote and a Co Meath aristocrat, Geoffrey Thomas Taylour, 4th Marquess of Headfort DL, JP, FZS (1878 – 1943) both of whom were to enthrall and scandalised Edwardian society in 1901.
Rose Boote, (1878-1958) or ‘Miss Rosie Boote,’ latter her later stage name, was the only daughter of Charles Boote, a comedian and while little is known of her mother, it was believed she was a straw hat sewer.
Rose however was sent to the Ursuline Convent School in Thurles in the 1890’s to be educated. The Ursuline Convent then, as now, had a high reputation in educational circles, renowned for their proficiency in turning girls into young, well educated ladies, who could take their place even in the highest society.
Having left the Ursuline Convent School in Thurles, Rose, possibly through connections of her father, was introduced to George Joseph Edwardes, (1855–1915) an English theatre manager, born ‘George Edwards,’ a native of Co Wexford, Ireland. George had introduced a new era into musical theatre on the British stage.
George now introduced Rose to the stage as one of his ‘Gaiety Girls,’ where she achieved great acclaim. Gaiety Girls were the chorus girls of Edwardian musical comedies, which had its beginning earlier in the 1890s, at the Gaiety Theatre, on the Strand, London. The sudden popularity of this genre of musical theatre depended, mainly on these beautiful dancing troupes of “Gaiety Girls” appearing onstage in bathing attire and in the latest fashions from London and Paris.
Gaiety girls were considered polite, educated, well-behaved young women, unlike those corseted actresses from London’s earlier musical burlesque shows. They became a popular attraction and a symbol of ideal womanhood, soon attracting the attention of aristocratic young men, known as “Stage Door Johnnies.” These young men would often wait outside the rear stage door in the hope of escorting one of these young ladies to dinner. Rose’s mentor, Edwardes had arranged with Romano’s Restaurant, on the Strand, for his girls to dine there at half-price. It was good exposure for his girls and made Romano’s Restaurant the embodiment of London’s night-life.
Continue reading Thurles Gaiety Girl Rosie Boote Scandalises Edwardian Society
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