Ms Esther Griffin (Research Assistant Tipperary County Council) Reports:
St Patrick’s Campus, Mary Immaculate College (MIC), Thurles will host ‘Culture Night‘ (Oíche Chultúir) on Friday next September 18th, between 5:30pm and 9:00pm.
The following events will be held on the night:
► From 5:30 – 7:00pm: historical tours of the campus led by librarian Ms Ruth Talbot, detailing the history and heritage of the College. ► From 7:00 – 7:30pm: a musical performance by uilleann piper Mr Muireann Meade. ► From 8:00 – 8:45pm: a musical performance by the Thurles Community Orchestra.
Note: Booking is required for Thurles Community Orchestra’s performance. Booking Phone Number: 0504 20530. Free tickets will also be available to book from the Reception in MIC St Patrick’s Campus.
For the benefit of those visiting from outside the Thurles area; you can locate the St Patrick’s Campus, MIC building, situated on Cathedral Street, Thurles Co. Tipperary,HERE, [Eircode E41 C424].
Oasis are set to return to Slane Castle for two huge shows on Saturday 4th and Sunday 5th September 2027, with special guest English musician, singer, and songwriter Richard Ashcroft. (Latter who formed the alternative rock band the “Verve” in 1990, before embarking on a solo career, releasing six UK top-three solo albums, including ‘Alone with Everybody’, ‘Keys to the World’ and ‘These People’).
The Verve – The Drugs Don’t Work.
The concerts form part of the band’s newly announced 38-date world tour, following their successful 2025 reunion.
Ticket registration is now open. Fans must register by Thursday 17th September at 4:00pm Irish time for a chance to access ticket sales.
Tickets will go on sale in allocated windows across 25th –27th September, with successful registrants receiving a unique, non-transferable access code. Standard tickets range from €181.25 to €501.25, with a limit of four tickets per person.
There will be no general public sale, and registration does not guarantee tickets.
Registration is through the official Oasis website located HERE
Lyricsand Vocals: American singer-songwriter, actress, and businesswoman, the late great Dolly Rebecca Parton Dean (née Parton)[1946 – 2026].
Late Dolly Rebecca Parton.
Listening to Dolly Parton’s “Daddy Come and Get Me” today, I find myself thinking of Ireland’s unmarried mothers and their children. While, Dolly’s lyrics tell a slightly different story, its plea for someone to come, to listen, to bring a frightened woman home has a painful resonance here. I think of women who needed kindness and support, and instead encountered shame and separation. I think of mothers whose children were taken for adoption, some sent across the sea. I think of the years spent wondering, searching and grieving for someone still alive. Survivor testimony gathered by the Clann Project asks us to face that suffering with honesty.
“Daddy Come and Get Me”
“Daddy Come and Get Me”
In this mental institution, lookin’ out through these iron bars, How could he put me in here, how could he go that far. Yes I need help but not this kind, he didn’t love me from the start, But it’s not my mind that’s broken, it’s my heart. Oh Daddy come and get me and take me home with you. I’m depending on you Daddy, there’s nothing I can do, And you said that I could come to you if I ever was in need, But Daddy I can’t come to you, you’ll have to come to me. When he said he loved another, I was crazy with jealousy, That’s ’cause I was crazy over him and I couldn’t stand to set him free, And I couldn’t stand to lose him and I cried and cried for days, And he said that I was crazy, but he just put me in here to get me out of his way. Daddy come and get me, Oh Daddy come and get me, and take me home with you. I’m depending on you Daddy ’cause there’s nothing else I can do, And you said that I could come to you if I ever was in need, But Daddy I can’t come to you, you’ll have to come to me. Oh Daddy, come and get me.
END.
I think also today, of the children in the protestant orphanage “The Bird’s Nest”, also the children in “St Patrick’s” on the Navan Road, “Madonna House” and “Cottage Home” who were included, indeed used, in vaccine trials. Their participation is well documented; while profound questions about consent still remain. Behind those institutional names were small children, entirely dependent on the adults entrusted with their care. Their documented history deserves to be forever remembered.
There is something especially sorrowful about hearing this song on a Sunday, a day associated with faith, family and belonging, while remembering those who were denied the compassion that should have accompanied their plight.. Church and State had responsibilities towards them. So did the communities around them.
I am deeply sorry for the cruelty they endured, for the protection that failed them, and for every year in which their voices went unheard. No expression of regret can restore a childhood or return the years a mother and child lost together. However remembrance must include listening, granting access to the truth and total accountability.
Today, I share the above song with tenderness towards those mothers, the children they lost, and the adults those children eventually became.
They deserved to be heard. They deserved protection. They deserved to know that they mattered.
On the morning of September 11, 2001, (25 years ago today), two hijacked passenger planes struck the Twin Towers of New York’s World Trade Center. Both towers collapsed.
Together with the attacks at the Pentagon and the crash of another hijacked aircraft in Pennsylvania, that day claimed nearly 3,000 lives, leaving families and communities grieving across the world.
For Cappawhite, County Tipperary, that loss had a familiar name: Mr Martin Coughlan.
Mr Coughlan was 53 years old, a carpenter working in the South Tower. He had made his home in Queens with his wife, Catherine, and their four daughters. During the unfolding tragedy, he called his wife, Catherine to tell her that something terrible was happening and that he was trying to get out. He never came home.
Those who knew Mr Coughlan remembered his pride in his craft and the long hours he worked to support his family. He had spoken of perhaps returning to Ireland. In Cappawhite, Co. Tipperary, more than 1,000 people attended a memorial Mass in his memory; a community gathering to mourn one of its own.
TalentedKilkenny singer and guitarist Ms Nora Fogarty, in the video hereunder, remembers the USA Terrorist Attack On 11th September 2001.
“Shattered Dreams”
(Lyrics written by Co. Kilkenny poet Kathleen Blanchfield).
As we remember that terrible day, let us hold Mr Coughlan’s family in our thoughts, alongside all those whose loved ones were lost. Behind every name is a life full of relationships, ordinary joys and plans left unfinished. Remembering Mr Coughlan means making room for that life, as well as mourning its ending.
May Mr Coughlan’s memory be held with love in Cappawhite, in New York, and wherever your story is told.
Lyrics: Song adapted it into English by American songwriter, the late Mann Curtis(1911-1984), originally born Emanuel Kurtz. Vocals: American singer Brenda Mae Tarpley known professionally as Brenda Lee.
Brenda Lee.
The song was originally written in French by Gilbert Bécaud and Pierre Delanoë, it became an English-language standard before Brenda Lee brought her own warmth and emotional power to it. With its simple plea for devotion and Lee’s unmistakably expressive voice. This timeless ballad speaks straight from the heart.
Let It Be Me.
Let It Be Me.
I bless the day I found you. I wanna stay around you, And so I beg you let it be me. Don’t take this heaven from one, If you must cling to someone, Now and forever, Let it be me. Each time we meet love, I find complete love. Without your sweet love, What would life be? So never leave me lonely. Tell me you love me only, And that you’ll always, Let it be me. And so I beg you, Let it be me. Each time we meet love, I find complete love. Without your sweet love, What would life be? Never leave me lonely. Tell me you love me only, And so I beg you, Let it be me. Let it be me.
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