Thurles Cathedral re-roofing project among Tipperary awards in €389,000 built heritage funding.
County Tipperary is to benefit from a total allocation of almost €389,000 under the Built Heritage Investment Scheme (BHIS) and the Historic Thatched Buildings stream, funded by the Department of Housing, Local Government and Heritage and administered locally through Tipperary County Council.
A total of 44 projects across the county will share €367,285 under the main BHIS scheme, with a further €21,377 allocated to seven thatched-building projects to support the maintenance of historic thatch.
Among the county allocations, Thurles Cathedral’s re-roofing project has been awarded €14,000, thus supporting ongoing efforts to conserve one of North Tipperary’s most significant landmarks.
The largest single award in Tipperary is €18,000 for works at the old Courthouse building in Mullinahone. Other notable allocations include €10,000 for the Catholic Church in Cashel and €7,000 for the Catholic Church in Clonoulty.
A major refurbishment project is currently under way at the church in Cashel, including a new roof and works to prevent water ingress. The parish is taking on debt of approximately €250,000 for the Cashel works and the painting of the church in Rosegreen, with fundraising continuing locally, including a St Brigid’s Day Tea Party in Halla na Féile on Saturday, February 1st. Places are strictly limited; booking is essential for this FREE event, allocated on a first-come, first-served basis.
Elsewhere, allocations include €9,000 for the Bianconi Memorial Chapel in Boherlahan and €10,000 for the Wellington Memorial near Kilcooley. In Cahir, Cahir Post Office receives €12,000, while €13,000 has been awarded for No. 5 Pierce Street to support roof works.
In Clonmel, the 1798 Monument has secured €4,285, while the Michael Cusack Monument in Drangan has been allocated €4,000.
Projects supported under the thatch stream include €3,500 for a house in Clonoulty village.
The Built Heritage Investment Scheme provides grant support for repair and conservation works to protected structures, helping owners and custodians to safeguard historic buildings and support skilled conservation employment. Full scheme details and guidance for applicants are available through Tipperary Co. Council and gov.ie.
As Promised: Time to Construct Plans and Attempt to Find a “Bookable Visitor Experience,”for Thurles.
Thurles Tourism Debate: Part IV. Concerns over Tipperary’s ability to sustain and grow tourism have intensified following a recent council presentation on our tourism performance and marketing activity; but then in the words of T.C. Haliburton and later P.T. Barnum, “Talk is Cheap” and the words of councillors and officials come easier than their actions.
Thurles ‘A Sellable Product’.
“Thurles: Cathedral, Liberty Square & Local Stories, Lár na Páirce.” (90–120 mins)
The promise: (what the visitor gets.) A guided, easy walking loop that explains Thurles through three stops foreigners can understand instantly:
Cathedral of the Assumption: Big visuals + a clear “why it matters” story: architecture, stained glass, music/choir tradition, and key moments that root the town in Irish life.
Perfect as an add-on stop between other major routes.
Why Irish Rail is a big advantage for Thurles. Thurles has a very strong practical selling point; it’s a rail town with visitor basics already in place. From Irish Rail’s station information, Thurles station is 0.5 miles to the town centre, has toilets, passenger shelters, an enclosed waiting room, and strong accessibility (lifts to platforms, accessible toilet, ramps). It’s also on key intercity routes including Dublin Heuston – Cork (directs and intermediate), plus services connecting towards Limerick/Ennis and Tralee.
That means we can pitch Thurles as: “Arrive by train, walk the town, back on the train.” Ideal for weekend/day-trip groups who dislike motorway fatigue, parking stress, or long coach days.
In Part V, of our Thurles Tourism Debate, in the coming days we will assist in where to contact/sell and will provide a short, copy/paste social media advert.
Note: Since two paid tour guides with proper temperament, will be required to undertake this work, (yes we already have two knowledgable individuals, trained by myself), thus creating two jobs, which is more than our Tipperary public reps. have created in the past 20 years.
Time to increase failed footfall and reverse the deliberate destruction of our town centre, (Liberty Square), as a centre for business.
Learn how to make a St Brigid’s Cross – Tuesday next @2.30pm.
Please do remember: As with previous years, places are strictly limited. Advance booking is therefore essential for this free event and places will be allocated strictly on a first-come, first-served basis. Bookings Please to Tel: No. 062 63825.
Visitors attending this informative event can locate the Cashel Library building; situated on Friar Street, Lady’s Well, Cashel, Co. Tipperary, HERE. (Eircode E25 K798).
With Tipperary named by Lonely Planet as one of the world’s top places to visit in 2026, the county’s lesser-known heritage sites deserve renewed attention and care. An example of same should include a small, enclosed burial ground, where a scattering of largely forgotten eighteenth and nineteenth century headstones still survives at the edge of Thurles town.
Carved stones from a lost church, mounted on a pillar. Pic: G. Willoughby.
St Bridgid’s graveyard (Eircode E41 AC91), the remnant of a former medieval parish church site, lies just west of Ardán Bhríde (Bridgid’s Terrace), directly opposite Thurles train station and running parallel to what was once named Garryvicleheen Road, now better known as Abbey Road.
Trailing Ivy now protects Thurles history. Pic: G. Willoughby.
What makes this modest graveyard particularly significant, however, is a limestone pillar beside the entrance to this enclosure, where architectural fragments and carved stones, wisely salvaged from the lost church, have been gathered and mounted for safekeeping.
A pillar of fragments and a warning in stone. On the south face of the pillar, four carved stones are now just about visible. At the top sits a rectangular corner stone bearing a carved seated cat, traditionally said to have once had two tails. Severe weathering has already softened key details, and the carving is now so worn that it may not survive intact for another generation. The cat’s face is described as V-shaped, with what appears to be a mouse held in its jaws. Locally, the workmanship has been associated with the trademark craft of An Gobán Saor (Gobban the Builder),the legendary seventh-century master mason, though the cat itself appears stylistically later, likely of eighteenth or nineteenth-century date.
To the right of the cat is a square stone depicting a lion, set within a circular frame. Same may also have British Royal Family connections. A surviving window fragment, same a rare prominent, ornate window arch, with S-shaped curves (ogee) and decorative carved panels (spandrels) is yet another striking historic piece. Finally, a rectangular limestone block carved with what appears to be a bald individual in a long robe and tunic, the clothing suggesting a cleric, (could it represent St Bridgid/ Bridget). The individual holds a cross in their right hand and a circular string of beads, most likely a paternoster♦, in their left. Beneath the figure, the names Patrick Kennedy and James Bulter have been crudely cut, later interventions that now form part of the stone’s layered story.
♦Paternoster: The paternoster was used to count prayers, typically 150 recitations of the “Our Father”. These beads often formed a loop, sometimes with a cross, reliquary (a container for holy relics), or pomander (latter worn or carried in a case as a protection against infection in times of pestilence or merely as a useful article to mask bad smells), as its end. This style eventually evolved into the modern rosary beads used today. Wearing the paternoster openly served as a devotional act, identifying the wearer as a Christian and displaying their religiosity. Depending on the materials used, serve as a display of wealth.
The west side of the pillar carries a single, highly recognisable carving, now unseen while protected by ivy: a limestone block showing a unicorn and lion rearing on their hind legs, (See immediately hereunder) beneath a crown, framed within a recess with a semi-circular head and straight sides. This scene represents the Royal Coat of Arms of the United Kingdom; Thurles being the ancestral Home of current reigning King Charles III. The window head and the heraldic carving are considered older than the cat, with a provisional seventeenth-century date proposed for the lion and unicorn, (See picture hereunder).
A simple, yet urgent message: Please Protect What Remains!
Behind the ivy, the Royal Coat of Arms of the United Kingdom. Pic: G. Willoughby.
The carvings at St Bridgid’s/Bridget’s gaveyard site are not museum pieces behind glass; they sit in the open air, exposed year-round. Weathering is now actively destroying this history, softening edges, flattening relief work, and erasing the very features that allow the stones to be read, dated and understood.
Once those details are gone, they are gone for good. There is now a clear need for immediate, practical conservation at this site which must include protective covering to reduce direct rainfall and frost damage.
A practical way to safeguard this valuable heritage would be to enlist the services of Mr James Slattery, Slattery Monumental Works, Fianna Road, Thurles, Co. Tipperary (Tel: +353 86 2430213) to oversee the careful, professional removal of the carved stones and their placement in more secure, sheltered conditions.
It is suggested that the four limestone relief blocks, depicting (1) cat, (2)lion, and (3) unicorn and lion, be taken in hand and sympathetically installed within the Thurles Library area of ‘The Source’, in Cathedral Street, Thurles, where they could be properly interpreted and enjoyed by the public and visitors, in a controlled environment.
In addition, the limestone block carved with the (a) cleric figure shown in a long robe and tunic, and the (b) window fragment, could be respectfully mounted on a pedestal within the nearby Church of St Joseph & St Brigid, in Thurles, ensuring, again, both protection and an appropriate setting.
In both instances, these measures would not only secure all the fragments for future generations, but would also create safe, welcoming and attractive points of interest for visitors and history-minded tourists to Thurles.
While St Bridgid’s graveyard maybe a quiet corner of Thurles; these stones, gathered loosely on the top of that pillar, carry centuries of craft, belief, power, memory and identity. If they are left fully exposed, the weather will finish what time has already begun, erasing an important and irreplaceable chapter of Thurles history in plain sight.
This post has been sent to officials at Tipperary Co. Council, marked for the attention of Ms Sinead Carr, (sinead.carr@tipperarycoco.ie).
♦ Note: At no stage should an attempt to remove these historic fragments out of Thurles town, be undertaken, and any efforts to do so should be vehemently and firmly resisted.
“The first, the gentle Shure (Suir) that making way By sweet Clonmell (Clonmel), adornes (adorns) rich Waterford; …” (Excerpt from poem by Edmund Spenser’s ‘Irish rivers’.)
♦ Note: It should be noted that in 2026 Cahir Castle has since been fully restored and has now become a major tourist attraction in Cahir, Co. Tipperary. However this was not the case in 1912 when McCraith published her book.
Cahir Castle as depicted by the artist James Stark Fleming (1834-1922).
The Suir – From Its Source To The Sea.
Cahir Castle rises on an island in the Suir, and commands the bridge in the middle of the town. This old ivy-clad Butler stronghold is probably the best example of late feudal architecture in Ireland. It was built in the fifteenth, or early in the sixteenth, century, and has remained in the family of its builders ever since.
The Butlers ceased to live in their castle about a hundred and fifty years ago. It has not been inhabited since a company of infantry was quartered there in the days of the late Earl of Glengall (he it was who gave the site for the present barracks, about a mile outside the town, formerly used for Cavalry, and now used for Field Artillery). For over a century the Castle has undergone no structural alteration, but remains an eloquent witness of the life led long ago in Ireland by a Lord of the Pale.
Centuries before the Butlers built the present Castle; centuries before even Conor O’Brien, Lord of Thomond, founded his castle there in 1142, the rock in the Suir upon which it stands was regarded as a natural point of vantage, to be defended by a “dun,” or fort. Its very name in Irish, Cathair-Duine-Iascaigh, (Irish – “the stone stronghold of the fish-abounding fort), is a word-history.
An old Irish MS♦., the Book of Lecan, records the destruction of this fort of Cathair Curreagh in the third century.
♦ Note: “MS” is the standard abbreviation for “Manuscript” (from Latin manu scriptus, “written by hand”)
This is the outline of the romantic story. A relative of Curreagh Lifé was killed by Finn MacRadamain, chief of the district surrounding Cathair, the modern Cahir. In revenge, Curreagh Lifé murdered Finn’s mistress, Badamair, who had her dwelling on the Cathair-Duine-Iascaigh, whence she supplied Finn with food and clothing, no doubt of her own catching and weaving. After murdering her, Curreagh plundered the fort, and escaped away beyond the river Bannow towards Waterford. Finn pursued him. After many days he got sight of Curreagh in the distance. Thereupon Finn pronounced an incantation over his spear, and hurled it at Curreagh, who was in the midst of a group of friends. Nevertheless, the spear found its way truly to Curreagh’s heart and killed him.
The Brehon Laws refer to this fort of Cathair, and Geoffrey Keating states that, among many other royal residences, Brian Boru fortified and used this fort of Cathair also.
When the Anglo-Normans came first to Ireland, Knockgraffon, and not Cahir, was the principal place in the Barony, which passed, about 1215, to one of Henry II’s knights, Philip of Worcester. From him it passed to his nephew, William, whose great-granddaughter brought it to the de Berminghams by her marriage with Milo de Bermingham. In 1332 the Barony reverted to the Crown on William de Bermingham’s attainder. But the English King was little bettered by Cahir. As has been said already, Bryan O’Brien and his Irish had by 1332 overrun and re-conquered Tipperary.
However, in 1325 the King granted the Barony to James, Earl of Ormonde, and to Elizabeth, his wife. James Cildare, the natural son of this Earl, by Catherine Fitzgerald, daughter of the Earl of Desmond, has generally been recognised as the founder of the Cahir branch of the Butlers. Since he, or his successor, quartered the de Bermingham arms with his, there was probably also a prudent alliance with the previous owners.
The new Lords of Cahir held an equivocal position. They occupied the borderland between the two great warring houses of Butler (Ormonde) and Fitzgerald (Kildare). Butlers by descent, Fitzgeralds by marriage and interest, they contrived throughout the Barons’ War, and the fiercest struggles of the sixteenth century, to retain their estates amid the ruin of their confederates. Perhaps the position of their Castle helped them, for an old record says:
“In the mydst of ye ryver Suyre lyeth an Ilaund, ye same a natural rock, and upon yt a Castle, which, although yt may not be built with any greate arte, yet is ye seite such by nature that yt may be said to be inexpugnable.”
Cahir Castle has changed little during the centuries. Today it closely resembles its appearance in 1599, as pictured in the Pacata Hibernia ♦.
♦ Note: Pacata Hibernia (Latin for “Pacified Ireland”) is a significant 17th-century historical work by Sir Thomas Stafford detailing the Elizabethan Wars in Ireland, particularly the campaign in Munster under Sir George Carew, offering a contemporary, soldier’s perspective with valuable maps and plans of Irish towns and fortifications. First published in 1633, it serves as a primary source for understanding the final, bloody stages of Gaelic Irish resistance against English rule, culminating in the Flight of the Earls and the Plantation of Ulster.
Instead of at once attacking O’Neill in the North, those of the Irish Council who had estates to lose in the South persuaded Essex to lead his army into Munster. Having been defeated near Maryborough, Essex marched to Kilkenny, thence to Clonmel, and so on to Cahir.
Reynolds, secretary to the Earl of Essex, describes Cahir as “the only famous Castle of Ireland which was thought impregnable; it is the bulwark for Munster, and a safe retreat for all the agents of Spain and Rome.” The Butlers of Cahir were staunch for Hugh O’Neill. Cahir Castle, therefore, Essex attacked.
Encouraged by Hugh O’Neill’s victories, and expecting reinforcements from Mitchelstown, those “heathens,” as the English writer courteously termed the garrison, refused to surrender. Thereupon Essex put his cannon into position, and began a vigorous siege. Despite wide breaches in their walls the garrison held out bravely for ten days, until they found that their expected reinforcements had been cut off. Despairing, the garrison attempted to make a sortie and to vacate the Castle under cover of darkness. It was a desperate endeavour, and was discovered by the besiegers. Eighty of the garrison were slaughtered, and the English took the Castle.
Essex re-garrisoned Cahir with English troops, left his wounded there, and went on to Clonmel. It was his first success, and his last, in Ireland.
In spite of this armed resistance, the Lord of Cahir managed to keep his Castle and lands from confiscation. This was through the influence of the head of the Butlers, Thomas, Earl of Ormonde, called “the Queen’s Black Husband” from his colouring and his Sovereign’s marked preference.
During the Cromwellian Wars and, later, during the Revolution, the luck of the Butlers of Cahir held. The Baron of Cahir was a minor during the wars of 1641–50, his guardian being George Mathew, a half-brother of the Earl of Ormonde. In 1647, previous to the coming to Ireland of Cromwell in person, Lord Inchiquin, ‘Murrough of the Burnings‘, (Murrough O’Brien, 1st Earl of Inchiquin♦), who was then fighting on the side of the Parliamentarians, invested Cahir Castle. The siege was one of hours only. The Castle was promptly handed over to Inchiquin, and a flimsy story put about to shelter Mathew’s cowardice; or was it his prudence?
♦ Note: The slaughter of the garrison at Cashel and the subsequent devastation of Catholic-held Munster earned Inchiquin the Irish nickname, Murchadh na Dóiteáin or “Murrough of the Burnings”.
Cromwell himself appeared before Cahir Castle on February 24th, 1650, and again George Mathew surrendered without a shot having been fired. One of the conditions of surrender was that: “The Governor may enjoy his estate, which he has as his jointure, and the wardship of the heir of Cahir”.
Although the Butler estates were surveyed by Petty♦during the Commonwealth for that object, they were not actually allotted to soldiers or adventurers; and at the Restoration, in 1662, Ormonde had little difficulty in reinstating his kinsman, “the heir of Cahir.”
♦ Note: Sir William Petty (1623–1687), an English scientist, physician, and political economist who was a key figure in the Cromwellian land confiscations in Ireland. He was responsible for overseeing the famous Down Survey of Ireland in the 1650s, which was the first detailed, large-scale land survey in the world.
The Butler luck, or prudence, held also during the Revolution. Thomas, seventh Baron Cahir, fought for James II on the bloody and disastrous field of Aughrim♦, and was outlawed in 1691. But, two years later, his outlawry was reversed and his estates restored. Being known as strong Catholics, with Jacobite leanings, the Lords of Cahir lived abroad during the eighteenth century.
♦ Note: Aughrim, County Galway. The battle was one of the bloodiest ever fought in Britain and Ireland; 7,000 people were killed.
By the death of Pierce, eleventh Baron, in 1788, the old Butler line became extinct. But a claimant appeared in the person of Richard Butler of Glengall, who derived his descent from Sir Theobald Butler, Baron of Cahir, in the time of Elizabeth. Richard Butler was married to a niece of Lord Chancellor Clare, and, as legal difficulties were thus smoothed over, he succeeded as twelfth Baron Cahir. He was afterwards created first Earl of Glengall. His son, the second Earl, died in 1858 without a male heir. The Barony of Cahir fell into abeyance again, and the Earldom became extinct.
The present representative of the Butlers of Cahir is the last Earl of Glengall’s daughter, Lady Margaret Charteris, to whom belongs the beautiful park through which the Suir runs for over two miles, together with many acres of surrounding mountain and valley.
Cahir Castle is in excellent preservation. It still serves for flower shows and other gatherings. The Butlers migrated, first, to Cahir House, a Georgian mansion, overlooking the Market Square on one side, and the lovely demesne upon the other, and, later, to the Lodge, on the opposite bank of the Suir.
Cahir Park.
The beautiful green banks of the River Suir are nowhere more attractive than in Cahir Park. To appreciate the place properly, you really have to see it for yourself.
Fortunately, the park is open to pedestrians. Private carriages and anglers can also enter, but only with permits, which (at the time of writing) were available from the Estate Offices in Castle Street.
It’s hard to say when Cahir Park looks its best: on a hot summer’s day, when cattle stand knee-deep in the broad, clear river and the trees and pastures are at their richest “living green”; or in late autumn, when the scarlet coats of huntsmen and the dappled white, black and tan of the foxhounds come and go through groves of golden oaks and coppices, with yellow bracken underfoot and laurels still keeping their summer colour.
In places the riverbanks become almost steep, and a graceful bridge spans the Suir at Kilcommon. From there you can reach a picturesque thatched cottage, built as a tea-house♦, and once a favourite rendezvous-is reached.
♦ Note: “Picturesque thatched cottage, built as a tea-house” refers to the ‘Swiss Cottage’ and again, is today 2026 also fully restored and a major tourists attraction. END
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