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M/s Imelda McDonagh to Adjudicate at the Co. Tipperary Open Drama Festival in Holycross, Thurles, Co. Tipperary, from March 16th to March 24th.
Author and Freelance Journalist Tom Ryan Reports:-
 M/s Imelda McDonagh
Holycross/Ballycahill Drama Group, Thurles Drama Group and Nenagh Drama Group will be the Co. Tipperary representatives in the prestigious Co. Tipperary Open Drama Festival to be held in St. Michael’s Community Centre, Holycross. Competitors will bid for an array of awards, including the “Tipperary Star Cup” in the Confined Section and the “Tipp FM Trophy” in the Open Category.
The Festival Director is Mr Donal Duggan as usual and a dedicated committee have been working diligently to maintain the proud traditional status of the Abbeysiders in this great festival featuring the country’s top drama groups staging some of the world’s finest drama.
Meet Adjudicator M/s Imelda McDonagh
Adjudicator, Imelda McDonagh, is an award-winning director and actress with a first-class Honours M.A. in Theatre Studies. She is a qualified Make-Up Artist and holds a Licentiate (Speech and Drama) from The London College of Music.
Well known for her various acting roles as ‘Lady Bracknell’, in Oscar Wilde’s “The Importance of Being Earnest”; ‘Blanche’, in Tennessee William’s “A Streetcar Named Desire”; ‘Baglady’, in the rarely performed Frank McGuinness play of the same name; ‘Stephanie’, in Tom Kempinski’s “Duet for One”; ‘Gertrude’, in William Shakespeare’s “Hamlet”, and ‘Kate’, in Arthur Miller’s “All My Sons”.
She recently performed with The Dublin Shakespeare Society, as part of the Shakespeare 400 celebrations and as ‘Maisie Madigan’ in the second of Sean O’Casey’s Dublin Trilogy, “Juno And The Paycock”.
Also, much at home in the world of musical theatre, M/s McDonagh has won the coveted Association of Irish Musical Societies’ award for ‘Best Director’, for her production of Samuel and Bella Spewack / Cole Porter’s, “Kiss Me Kate”, for Gorey, (Co. Wexford) Musical Society, and was nominated as ‘Best Director’ for the Irish Premiere of Alistair McGuckian’s “The Ha’penny Bridge”.
Her most recent production was the loosely based on actual events musical, “Footloose” (Music is by Tom Snow, lyrics by Dean Pitchford, and book by Pitchford and Walter Bobbie), for the Oyster Lane Theatre Group, her seventeenth musical to date.
Imelda has enjoyed adjudicating throughout Ireland since 2001, including the finals for Macra and the Irish Country Women’s Association (ICA) and the Confined All-Ireland Drama Finals, in Tubbercurry in 2017.
She is also secretary of The Association of Drama Adjudicators and has recently been awarded “The Civic Merit Award” for her services to the community by Irish President, Michael D. Higgins.
Programme of Plays and Drama Groups (D.G.)
Friday, March 16th, – (Open) – “Unbroken Circle”, – Gorey L.T.G..
Saturday, 17th March, –(Confined) – “The Beauty Queen of Leenane”, – Kilworth D.G..
Sunday, 18th March, – (Confined) – “Abigail’s Party”, – Skibbereen D.G..
Monday, 19th March – (Confined) – “Caught in the Net”, – Conna D.G..
Tuesday 20th March – (Open) – “Stolen Child”, – Brideview D.G..
Wednesday 21st March – (Open) – “Blyth Spirit”, – Thurles D.G..
Thursday 22nd March – (Confined) – “Some Girls”, – Curtain Call, Dungarvan D.G..
Friday 23rd March – (Confined) – “Bold Girls”, – Holycross/Ballycahill D.G..
Saturday, March 24th – (Open) – “Duet For Two”, – Nenagh D.G..
Conor O’Connell to adjudicate unique Schools Drama Festival
The County Tipperary Open Drama Festival Schools Festival, the only such event in Ireland will be held on Tuesday, March 13th, starting at 7.30pm.
The entries to date include Ursuline Convent Secondary School, Thurles; Presentation Convent Secondary School, Thurles; and Colaiste na Trionoide, Doon, east Co. Limerick, who will stage two plays.
The adjudicator is once again Mr Conor O’ Connell, nephew of former Thurles hotelier and businessman, Mr Derek O’Connell. A great friend of the organising committee; Conor has himself starred in an acting role on stage in Holycross, with the renowned Silken Thomas Players and who was a big hit with the young players last year.
The magnificent recently restored Cathedral of The Assumption, situated here in Cathedral Street, Thurles, Co. Tipperary, looks particularly attractive at Christmas time each year; enhanced by the construction of the Nativity Scene. Same takes the form of a manger or crib located in a stable, together with other art objects (e.g. figures of the three wise men or Magi, shepherds, camels, donkeys, sheep and cattle, and of course Mary the mother of Jesus, with her husband Joseph) each and all representing and reminding us of the birth of Jesus Christ, which we celebrate and as recounted to us through Bible stories, to be found referred too, in particular, in some of the 27 books which make up the New Testament.
At this time each year the manger scene annually reminds me of the actions of my now long deceased (1969) grandmother. In her later years she would request her local friendly postman (Mr Walsh) to visit the local crib, giving him between a sixpenny piece and a half crown (latter a former denomination of money, equivalent to two shillings and sixpence or almost one day’s labourer’s pay back in the late 1950’s) to put into the collection box. The postman would remove a piece of straw from the crib and this would be placed in my grandmother’s purse, where it would remain until the following week of Christmas.
This action she assured me would guarantee that regardless of prevailing economic conditions, God would continue to supply all her needs. Strangely, I must admit that despite living in lowly impoverished circumstances all of her 90-year life span, her purse never appeared to empty, and saw her paying all her bills on time, while never having reason to be sent into hospital ever. Today our own home continues with this Christmas and Christian practise.
Of course, it is St. Francis of Assisi, (Patron Saint of Italy and one of the most venerated religious figures in our history) who is credited with creating the first live nativity scene, way back around 1223; his objective to cultivate the worship of Jesus Christ. We are given to understand that he had recently been inspired by his own personal visit to the Holy Land, where he had viewed the traditional birthplace of Jesus Christ. The nativity scene, therefore, which he presented, can be viewed as his ‘physical modern-day holiday snap’.
So if you are in and around town over Christmas or if you are attending tonight’s Service of Christmas Carols in the Cathedral of The Assumption, do visit with your kids; it makes for nostalgia; long remembered reminiscences of happy family togetherness.
Leaving Cert play ‘The Trial’ takes to the stage in Borrisoleigh Hall.
This coming Bank Holiday Weekend (April 28th, 29th & May 1st 2017) will see Borrisoleigh Drama Group present their latest stage production, ‘The Trial’.
 Cast of ‘The Trial’ to be staged in Borrisoleigh Community Hall on April 28th, 29th & May 1st, 2017.
The play was originally written in Irish as ‘An Triail’, by the Irish playwright Máiréad Ní Ghráda and is part of the Irish language curriculum for the Leaving certificate.
The play is set in Ireland during the 1960’s and deals with the pregnancy, and subsequent single motherhood of a young woman, (played by Antoinette McMahon) latter who is shunned by her family, spends time in a mother and baby home and in some rather unsavoury accommodation in Dublin city.
The play travels back and forth between “flashbacks” and the trial itself and contains adult themes, perhaps suitable for more mature audiences.
People are advised to book their seats early, as last year’s very successful run of ‘The Chastitute’, by John B. Keane, which was also performed by Borrisoleigh Drama Group; same was completely sold out over the 3 night period, hence much disappointment.
 Ursuline Convent’s fabulous ‘Junk Kouture’ design ‘Kamuro’.
Junk Kouture is all about creating fashion from recyclable materials of every sort. Its purpose is to encourage young future designers, in second level education, to create striking couture designs and impressive works of wearable art, from everyday junk that would normally find its way into our rubbish dumps.
This year a number of young designers from Transition Year at the Ursuline Convent here in Thurles are taking part in the ‘National Junk Kouture Competition’, sponsored by Bank of Ireland (BOI).
It is no secret that the annual National Junk Kouture competition aims to inspire and ignite passion in young teenagers, while at the same time subtly educating them about the importance of recycling and the reusing of waste materials.
Over the last six years, Bank of Ireland’s Junk Kouture has established itself as the premier recycled fashion competition for teenagers throughout Ireland and Northern Ireland and in 2015 extended its creative platform, further afield, to the shores of Scotland.
This year the Ursuline Convent’s very imaginative, chosen, dress design, entitled “Kamuro”, was initially inspired by fireworks going off in our Thurles night sky. The firework explosion formation known as ‘Kamuro’, (Japanese for ‘boy’s haircut’) creates a tight cluster of silver or gold stars, with attendant glittery, cloudy trails, leaving the viewer hard-pressed not to see what appears to be a ‘haircut’ in the sky.
The dress, affected totally from recycled materials only, was contrived and manufactured over a seven month period by student designer’s M/s Winona Ryan, M/s Sarah Ryan and M/s Roisin Heffernan.
These Ursuline students would really appreciate if you could vote for their dress design in this national final. Voting was launched on Monday last 3rd April 2017 @ 9am and closes at midnight on Friday 14th April 2017.
You can greatly assist their efforts in this competition simply by clicking HERE and picking out their dress called KAMURO, then click on it to vote. See flashing “Click here to vote” at top of web page. (Above last year’s winner’s head.) Do not forget “Hit that share button also”.
Do remember you can vote once every 24 hours and every vote counts!
The Grand Final of Bank of Ireland Junk Kouture, for which tickets are available, takes place at the 3Arena, North Wall Quay, North Dock, Dublin 1, on Thursday 27th of April 2017, beginning at 7.00pm (19:00hrs) sharp.
Amongst the many valued prizes up for grabs on the night, the winning school can picks up €2,500 in cash and takes home the valued Junk Kouture Trophy.
“Super design and best of luck to all students taking part.”
 Statue of Archbishop Dr. P. Leahy, in Thurles Cathedral yard.
Destined to become one of the most prominent Roman Catholic churchmen in Ireland, Patrick Leahy (1806–1875) was born at Fennor, in the parish of Gortnahoe, Co. Tipperary, on May 31st 1806, the son of Patrick Leahy, a moderately successful Civil Engineer and Surveyor in Co Tipperary and Co. Cork, and Mary Margaret (née Cormack), a native of Gortnahoe.
Following his ordination he became the Roman Catholic curate of a small parish in the diocese of Cashel and was later appointed professor of Theology and Scripture here in St. Patrick’s College in Thurles, and a short time later President of that same Institution.
By August 22nd 1850 he was one of the Secretaries of the Synod of Thurles, and was afterwards appointed parish priest of Thurles and vicar-general of the Diocese of Cashel.
When the Catholic University was first opened in Dublin in 1854, he was selected for the office of Vice-Rector under then Rector Dr. John Henry Newman, (afterwards Cardinal Newman), thus filling a Professor’s chair.
He was elected Archbishop of Cashel on April 27th 1857 and consecrated on June 29th of that same year. In 1866 and 1867 he was deputed, with John Derry Bishop of Clonfert, to conduct the negotiations with Lord Mayo (Richard Bourke),[1] the Chief Secretary for Ireland, with respect to the proposed endowment of the Roman Catholic university.
[1] Five years later, on February 8th 1872, the same Lord Mayo (Richard Bourke), stopped off at Ross Island near the entrance to the harbour at Port Blair in the South Andaman Islands in the Bay of Bengal, then a British penal colony. Here Lord Mayo was stabbed to death by Sher Alia a convict from the North West Frontier, who was on a sick leave. His death caused great disturbance in diplomatic circles but the decision was made to play down the incident; quietly hang the murderer and appoint a new Viceroy.
A strong advocate of the cause of temperance, Archbishop Leahy enforced the Sunday closing of all public-houses in his Diocese. Owing to his energy the Cathedral of The Assumption at Thurles was built, at a cost of £45,000 pounds.
He died on January 26th 1875, and was buried in Thurles Cathedral on February 3rd of that year.
Hereunder find the following extract, relating to the erection of the statue to Archbishop Leahy in the yard of the Cathedral of The Assumption Thurles, taken from the journal of Fr. Michael Maher C.C., Thurles, and dated 1911.
“At the end of the year, the Archbishop (Thomas Fennelly 1901-1913) got a statue of Dr. Patrick Leahy erected in the Cathedral enclosure. It was sculptured at Carrara [2] by Professor Pietro Lazzerini and it is made of Sicilian or Bastard Statuary Marble. [3]
It was ready for shipment when the strike occurred on the railways in Great Britain and Ireland in August 1911. [4] We wrote to the sculptor not to send it until matters would be settled. It was sent from Leghorn [5] when the strike ceased, but arrived in Liverpool when the Irish strike was at its height in October. It was delayed some time on that account, but arrived safely in Thurles from Liverpool and Dublin in November. It weighs two tons and cost £120. I sent the cheque to Lazzerini.”
[2] Michelangelo di Lodovico Buonarroti Simoni (1475-1564), the Italian sculptor, painter, architect, and poet of the High Renaissance period, who exerted an unparalleled influence on the development of Western art, worked here at the Carrara marble quarries.
[3] Statuary Second or Bastard blue-grey Marble was used since the time of Ancient Rome.
[4] This strike arose after widespread dissatisfaction with the activities of conciliation boards set up to negotiate between workers and their employers the Rail Companies. Local disputes led to unofficial strike action in July and early August of 1911, with a meeting of all the main rail unions arranged in Liverpool to coordinate action nationally. These Unions issued an ultimatum to the Rail Companies to accept direct negotiation with their representatives within 24 hours or suffer a national strike. Keen to ensure that the railways would not be shut down. The Prime Minister, Herbert Henry Asquith, son of a Yorkshire clothing manufacturer, told the rail companies that police and troops would be deployed to help keep the trains running, resulting with soldiers being brought into London and 32 other towns in England and Wales. The then Home Secretary, Winston Churchill supported the police and troops against the striking union employees.
[5] Traditionally known in English as Leghorn, Livorno is a port city on the Ligurian Sea on the western coast of Tuscany, in Italy.
“The pedestal was fashioned by Mr P. Best of Cashel from stones got in the quarry at Camas, (Cashel). It cost £70. The Archbishop composed the inscription which is simplicity itself and a Galway man named Laurence Clane cut the letters.
Messr Leahy Brothers of Thurles had charge of the erection. It was no small work to get the statue in position without cranes or other powerful leverage. It was done this way. They constructed a large framework of wood around the base of the pedestal, then they hauled up the great box (2 tons 5 cwt.) containing the statue with pulleys attached to a horizontal iron bar above and let it rest on planks. They next built the pedestal and when that was finished they opened the box and got the statue into position by means of the pulleys. They finished the work a few days before Christmas.”
Overall Cost of Monument £214-10-0
[Statue £120-0-0; Pedestal £70-0-0; Leahy erection £12-0-0; Carriage from Leghorn (Livorno) to Thurles £12-10-0.]
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